The narrative
The conscious intentions of a so-called artist are important for himself, but irrelevant for the general public.
I still paint with brushes, paint and canvas and I still draw.
In view of the increasing changes in our environment into the Inhumane, I have no time to experiment.
I am interested in strong color in connection with plasticity and geometrically ordered surface space.
I am interested in capturing horror in silence and tastelessness in jokes.
I am interested in putting in tension, binding together, penetrating organic and technical, sentiment and irony, naivety and reflection, real and absurd, naturalism and abstraction.
I am not interested in originality, but in the fact that my formulations are succinct and at the same time complex - as obvious relations of our time.